Artyukhov Oleg Borisovich
Film critic. Born on January 14, 1937, in Tashkent. In 1954, he graduated from high school in Frunze and enrolled in the philological faculty of Kyrgyz State University. After graduating from KSU in 1961, he worked until 1966 as an educator and seriously engaged in journalism.
Since 1963, he has regularly published reviews, overview articles about Soviet and foreign films, reports from the sets of new films, and creative portraits of directors and actors of Kyrgyz cinema in the newspapers "Soviet Kyrgyzstan," "Komsomolets of Kyrgyzstan," "Komsomolskaya Pravda," and the magazines "Ala-Too," "Literary Kyrgyzstan."
From 1966 to 1968, O. Artyukhov worked as a consultant for the Board of the Union of Cinematographers of Kyrgyzstan and as acting director of the Kyrgyz branch of the Bureau for the Propagation of Soviet Cinematic Art. Since 1965, he has been actively lecturing, speaking to audiences in cities and villages across the republic.
From 1969 to 1971, he was a literary staff member at the newspaper "Komsomolets of Kyrgyzstan," where he headed the literature and arts department. In 1976-1977, he was a senior literary staff member at the magazine "Propagandist and Agitator of Kyrgyzstan." From 1971 to 1976 and from 1978 to 1980, he was a freelance (contract) correspondent for the State Committee of the Council of Ministers of the Kyrgyz SSR for television and radio broadcasting.
In 1974, the book "On the Wings of Cinema" by the film critic was published by the "Kyrgyzstan" publishing house, analyzing the works of directors Gennady Bazarov, Tolomush Okeeva, Bolotbek Shamshiev, cameraman Kadyrzhan Kydyraliev, and actors Bolot Beishenaliev and Suimen Kul Chokmorov.
From 1970 to 1980, O. Artyukhov conducted scientific research on the history of the development of documentary cinema in Kyrgyzstan and other Central Asian republics and Kazakhstan.
Member of the Union of Cinematographers of the USSR since 1968.
BOOKS, ARTICLES, REVIEWS
Problems of Kyrgyz Cinema (in Kyrgyz).— "Ala-Too," 1969, No. 8, pp. 143-146.
How to Stay in the Saddle (in Kyrgyz— overview of TV films).— "Ala-Too," 1972, No. 5, pp. 142-143.
In the Lens — the Motherland (in Kyrgyz).— "Ala-Too," 1972, No. 10, pp. 147-152.
Talented Director (in Kyrgyz).— "Ala-Too," 1973, No. 4, pp. 138-150.
The Secret of "Manaschi" (in Kyrgyz).— "Ala-Too," 1973, No. 9, pp. 143-150.
Narrowness of the Workshop.— "Questions of Literature," 1960, No. 5, pp. 243-245.
When the People Win.— "Komsomolets of Kyrgyzstan," 1963, January 30.
"I Am the Wind."— "Soviet Kyrgyzstan," 1963, February 21.
Young, but not "Green."— "Soviet Kyrgyzstan," 1963, March 2.
What Does a Person Live For? — "Soviet Kyrgyzstan," 1963, March 7.
A New Cuban Film.— "Soviet Kyrgyzstan," 1963, April 19.
The Deadly Weapon of Laughter.— "Soviet Kyrgyzstan," 1963, May 15.
We Are the Soviet Youth.— "Soviet Kyrgyzstan," 1963, November 5.
For the Kids — Seriously (notes on children's cinema).— "Komsomolets of Kyrgyzstan," 1964, January 8.
Panorama of the People's Feat.— "Komsomolets of Kyrgyzstan," 1964, February 23.
Smart Laughter.— "Komsomolets of Kyrgyzstan," 1964, July 3.
Polish Cinema Today.— "Komsomolets of Kyrgyzstan," 1964, July 22.
Interviewee — Georgy Danelia.— "Komsomolets of Kyrgyzstan," 1964, August 30.
When Films Upset.— "Komsomolets of Kyrgyzstan," 1964, September 20.
Bringing Good to People.— "Soviet Kyrgyzstan," 1964, November 26.
Caution: Childhood Romance.— "Komsomolets of Kyrgyzstan," 1964, November 4.
"Difficult Crossing."— "Komsomolets of Kyrgyzstan," 1964, December 20.
"Miracle" Without Miracles.— "Komsomolskaya Pravda," 1965, January 21.
The Youth of the Commander.— "Komsomolets of Kyrgyzstan," 1965, February 9.
"PSP" — "Komsomolets of Kyrgyzstan," 1965, April 25. "Manaschi."— "Komsomolets of Kyrgyzstan," 1965, August 27.
Film Festival of Five Republics.— "Komsomolets of Kyrgyzstan," 1965, September 24.
What is Art? — "Komsomolets of Kyrgyzstan," 1965, September 26.
Lessons of the Festival.— "Komsomolets of Kyrgyzstan," 1965, September 29.
Light, Barely Flickering.— "Soviet Kyrgyzstan," 1965, October 20.
The Picture — Elegy.— "Komsomolets of Kyrgyzstan," 1965, November 14.
The Studio is Putting on a Comedy.— "Soviet Kyrgyzstan," 1965, December 3.
The White Steamboat of Our Youth.— "Komsomolets of Kyrgyzstan," 1966, February 25.
A New Word in Leniniana.— "Soviet Kyrgyzstan," 1966, April 21.
Farce and Melodrama.— "Komsomolets of Kyrgyzstan," 1966, July 1.
"No One Wanted to Die."— "Soviet Kyrgyzstan," 1966, September 9.
Akira Kurosawa. "Rashomon."— "Komsomolets of Kyrgyzstan," 1966, October 7.
"Mother's Field."— "Soviet Kyrgyzstan," 1966, August 9.
On Modernity and Contemporaries.— "Soviet Culture," 1966, October 27.
Let Us Praise the Woman-Mother.— "Soviet Kyrgyzstan," 1966, November 3.
"Pasture of Bakai,"— "Komsomolets of Kyrgyzstan," 1966, December 9.
Kyrgyz Cinema Today.— "Soviet Moldova," 1967, February 22.
In a Gilded Hell.— "Soviet Kyrgyzstan," 1967, April 2.
Going to the Movies (weekly micro-reviews).— "Komsomolets of Kyrgyzstan," 1966-1971.
Only One Life.— "Soviet Kyrgyzstan," 1968, November 28.
Commercial Cinema and Louis de Funès.— "Soviet Kyrgyzstan," 1968, December 17.
There is Kyrgyz Cinema,— "Komsomolets of Kyrgyzstan," 1969, April 8.
"Ak-Meyor."— "Komsomolets of Kyrgyzstan," 1969, April 26.
A Word About the Defenders of Russia.— "Komsomolets of Kyrgyzstan," 1969, May 13.
Alain Delon.— "Komsomolets of Kyrgyzstan," 1969, August 19.
Accurate, Poetic.— "Truth of the East," 1969, September 13.
Made at "Kyrgyzfilm."— "Komsomolets of Kyrgyzstan," 1969, September 19.
Our Kadyrzhan. —"Komsomolets of Kyrgyzstan," 1969, November 7.
Youth and Talent Win. (Notes on the VIII Review-Competition of Cinematographers of the Central Asian Republics and Kazakhstan).— "Komsomolets of Kyrgyzstan," 1969, November 11.
Bolot Beishenaliev.— "Komsomolets of Kyrgyzstan," 1969, November 18.
"The Main Thing is Sincerity" (portrait of A. Vidugiris).— "Komsomolets of Kyrgyzstan," 1969, November 25.
Achievements and Losses.— "Literary Kyrgyzstan," 1969, No. 4, pp. 108-111.
Kyrgyz Cinema Abroad.— "Literary Kyrgyzstan," 1969, No. 6, pp. 102-105.
Lessons of the "Ambush."— "Komsomolets of Kyrgyzstan," 1970, February 12.
"Uchkun."— "Komsomolets of Kyrgyzstan," 1970, June 16.
"We Fell in Love with Kyrgyz Cinema."— "Komsomolets of Kyrgyzstan," 1970, October 27.
Artist's Watch.— "Komsomolets of Kyrgyzstan," 1971, March 30.
Four Steps to the Horizon.— "Literary Kyrgyzstan," 1972, No. 1, pp. 86-90.
Bolot Beishenaliev — Film Actor.— "Literary Kyrgyzstan," 1972, No. 5, pp. 88-94.
Understanding the Life of the Circus.— "Soviet Estrada and Circus," 1972, No. 8, pp. 20-21.
This is Great, Great Art.— "Literary Kyrgyzstan," 1973, No. 3, pp. 83-88.
On the Wings of Cinema. F., "Kyrgyzstan," 1974.
"The Eye of the Needle." — "Evening Frunze," 1975, July 12.
The Poetry of Life, the Poetry of Love.— "Evening Frunze," 1975, October 21.
A Picture of Great Destiny (interview with S. Yutkevich, Y. Raizman, E. Gabrilovich about the film "White Steamboat").— "Evening Frunze," 1975, December 23.
Films That Are Always with Me.— "Evening Frunze," 1976, April 21.
A. Vidugiris and His Films.— "Literary Kyrgyzstan," 1976, No. 2, pp. 74-80.
When a Reporter Becomes an Artist.— "Literary Kyrgyzstan," 1977, No. 2, pp. 99-104.
Chronicle of Brotherhood (overview of directorial works of film studios in Central Asia and Kazakhstan).— Press Information, 1977, No. 20. M., "Soyuz-informkino," pp. 28-36.
Steps to the Horizon (film director Gennady Bazarov).— Collection "Cinema of Soviet Kyrgyzstan." M., "Art," 1979, pp. 233-242.