Contemporary art in Kyrgyzstan is often associated with ethno-symbolism or social protests; however, Ilgiz Edilson's exhibition offers a new approach — an intellectual analysis of the human psyche. Coming into art from the business sphere, the artist applies the scientific method, creating works that Western critics might call "neuroaesthetics." An important part of the exhibition is the presence of descriptions for each painting.
Fellow artists emphasize that Edilson's success reflects a growing trend: contemporary art in Kyrgyzstan is becoming internationally oriented. It is no longer just a "souvenir" or "local" but is finding its place in a global context where uniqueness and relevance to themes such as awareness of mental health issues are valued.
From Emotional Intelligence to Commercial Success in Art
— What prompted you to depict a person through the prism of their emotions and feelings? Usually, artists focus on external appearance.— The idea came to me ten years ago. At one of the conferences, it was stated that emotional intelligence is a key competence of the future. This prompted me to explore the topic more deeply. Previously, I thought emotional intelligence was only related to empathy and communication skills, but then I wondered: how do emotions affect decision-making and quality of life?
Diving into brain research, such as the works of Daniel Goleman, and studying Gestalt psychology led me to the realization that in order to understand one's emotions, they need to be expressed, "unblocking" the body. For example, if you are angry, it is important to express that anger rather than suppress it.
— Your exhibition is divided into four colors: red, blue, yellow, and black. What is the reason for this choice?
— When I was studying psychology, we studied emotions in detail, and during this period, I began to have visual associations with colors. For 17 years, I worked in marketing and conducted research related to the psychosomatics of color: we surveyed people about what each shade is associated with.
Red is associated with determination and activity; in Kyrgyzstan, it also has patriotic significance, as our flag is red. Blue symbolizes trust and reliability, while yellow represents joy and lightness.
While studying psychology, I noticed that some emotions take on images. For example, in Kyrgyz culture, where even adult children continue to feel a duty to their parents, this can create difficulties with separation.
— The title of the exhibition "Anatomy of Human Emotions" includes the word "anatomy." What meaning do you attribute to this word?
— Emotions are closely related to the body and health. There are four primary emotions: sadness, anger, joy, and fear. Anger can be both destructive and healthy. Sadness can also vary; sometimes it is necessary to complete a certain stage and learn lessons. Looking back at history, a hundred years ago, the expression of emotions could be seen as a threat to survival: a person was considered weak, which affected their way of life.
However, modern research in medicine shows that suppressing emotions can lead to physical illnesses.
My exhibition is a message that feeling is not shameful, regardless of gender. I often hear women being called more emotional, and it sounds negative, as if emotions are a weakness. But for me, being emotional is a strength. It is important to acknowledge your feelings, whether it is sadness, anger, or fear. A person who accepts their vulnerability is actually strong because true strength is the ability to be weak.
— I saw your painting "Betrayal," where cuts are depicted. What were you feeling while creating this work?
— This is one of the most challenging works for me. I cut the canvas in three places to symbolize betrayal as broken hands: forgiveness is possible, but you can no longer embrace. The three open wounds show how trauma destroys the foundations of trust. Even if the edges are sewn together, the scar will remain forever, altering intimacy. I didn't want to cut the canvas, but I felt compelled to do so three times.
In such moments, I realize why I love contemporary art: the canvas is completely your space. I strive to develop contemporary art in Kyrgyzstan, showing the world that we are capable of creating stylish and meaningful exhibitions that raise relevant topics on an international level. My works coexist with both abstraction and modernism.
Anthropology of Feelings: A Dialogue with the Nation
— You often mention cultural code. What else might the viewers not have noticed?— The exhibition "Anatomy of Human Emotions" also represents a bold conversation about mentality. It is important for me to explore how historical trauma and the nomadic code have influenced the ability of modern Kyrgyz people to feel. Historically, restraint was necessary for survival. In harsh conditions, the expression of emotions could be dangerous. But we have evolved, and Generation Z lives differently. My paintings are a bridge between "survival" and "life," legalizing the right to be vulnerable.
— What’s next? Will you continue the theme of emotions and feelings in future works?
— That’s a good question. The exhibition is still ongoing, and I don’t know for sure what will happen next. But I want my works to impact people's quality of life, helping them to be happier. I am proud of my country and believe that patriotism is not only about achievements but also about small, meaningful actions: education, caring for nature, and respecting culture. My patriotism lies in the desire to create an exhibition about Kyrgyzstan and its cultural values.
I am deeply convinced that the Kyrgyz people are unique. Yes, our culture had traditions that limited the expression of emotions, but now we have the opportunity to preserve our identity while promoting our culture on the world stage.
The exhibition will run until February 1.
