The poster artists of the country who graduated from art universities, such as U. Omurov, M. Sultanaliyev, A. Asyamov, A. Tsyganok, and others, actively shape their own themes and individual styles, with their creative paths beginning at the turn of the 70s and 80s. Their focus is on the pressing issues of the time. They celebrate the beauty of the everyday heroism of Soviet workers who are implementing the grand program for the further development of Soviet society put forth by the party, strengthening peace on earth, while boldly enriching their arsenal of poster expressiveness.
The life-affirming pathos is characteristic of U. Omurov's posters, an artist with a bright, harmonious worldview, a diploma winner of the All-Russian poster competition on the theme "Man and Nature" (Moscow, 1977), and a participant in the International competition "Man and Nature" among students of higher art institutions in socialist countries (Bulgaria, 1977). His political posters are impressive, including "Gulder ber, menin Kyrgyzstanym" (1978), "No to the Neutron Bomb" (1978), the triptych "Peace and Friendship Will Triumph" (1979), the triptych "Bloom, My Kyrgyzstan" (1979), the ecological poster "Let's Preserve the Harmony of Nature" (1979), the solemn festive poster "May 1" (1979), and anti-war works.
Omurov created a generalized typical image of the Kyrgyz worker in the poster triptych "Glory to the Working Girl" (1982). In his recent posters "Issyk-Kul — Our Beauty, Our Heritage" (1980), "Mentorship — A Nationwide Concern" (1980), "Peace to the Earth" (1982), "Every Day is a Productive Workday" (1982), "Homo sapiens" (1984), and "Imperialism" (1985), the artist raises socially significant themes and enriches his arsenal of expressive means.
