This event became a vivid reflection of the creativity of local craftswomen and showcased the richness of the cultural heritage of the Kyrgyz people.
The initiator of the show was Nursia Suimonalieva — a seamstress who has been sewing curtains for educational institutions for many years. She decided to unite talented artisans to develop modern costumes inspired by traditions. Drawing ideas from ancient sewing and fabric decorating techniques, Nursia was able to revive forgotten crafts, integrating them into her work.
“I sewed curtains for educational institutions for a long time, but I always dreamed of creating something unique that would reflect our culture. When my children started dancing, I thought about costumes for their performances. Frequent purchases of new outfits turned out to be too expensive, and I decided to try sewing myself. This hobby led me to create outfits for holidays, theatrical performances, and national events,” shares Nursia.
During her work, Nursia delved into the history of Kyrgyz crafts, studying traditional sewing and cutting methods such as “nukum” and “arysh,” which are ancient ways of decorating and joining fabrics. This knowledge inspired her to revive forgotten techniques and use them in a modern context.
“I realized that not so long ago, every woman could sew. My grandmother always had a needle and thread tucked under her headscarf. She could mend torn clothes or sew on a button at any moment. The craft of sewing was an integral part of life and culture. Remembering this, I decided to revive these traditions and show that anyone, even without professional skills, can create magnificent things that help preserve our identity,” she notes.
The show featured both traditional Kyrgyz costumes with embroidery and headdresses, as well as their modern interpretations.
Nursia started with simple elements — embroidered vests and belts, and gradually created a full collection. Her works pay special attention to felt and carpet patterns.
“I turned to a familiar grandmother to teach me how to sew shirdaks — traditional Kyrgyz carpets. She cut pieces of felt not with scissors, but with a pocket knife. I realized that I could do it, and now I apply these techniques in my products,” Nursia recounts.
Today, Nursia has many works that could be showcased on large stages and exhibitions. She dreams of creating her own collection of Kyrgyz national clothing that could participate in fashion shows, festivals, and cultural events.
Nursia is confident that there are many talented craftswomen in Kyrgyzstan, each with their own ideas and abilities.
“Many do not realize what they can achieve by joining their efforts. Putting soul into each model is a true pleasure. I would like every seamstress to feel this. My dream is for our artisans to unlock their potential and take pride in their creations,” concludes N. Suimonalieva.
