Beyshenaliev Bolot
Film actor. Honored Artist of the Kyrgyz SSR (1974). Born on June 25, 1947, in the village of Tort-Kul, Kemin District, Kyrgyz SSR, in a working-class family. He studied at the Kalmak-Ashun Primary School, then at the Tarsuy Secondary School. In 1954, after completing ten years of education, he worked as a laborer on a state farm. From 1966 to 1957, he studied at the studio of the Kyrgyz Opera and Ballet Theater, singing in the choir.
In 1958, he enrolled in the Tashkent State Institute of Theatre and Arts named after A. N. Ostrovsky in the acting faculty and after graduating in 1963, he was accepted as an assistant director at the "Kyrgyzfilm" studio. His first role was the owner of a yurt in M. Ubukeev's film "White Mountains" (1964).
The young actor gained wide recognition for his role as Duyshen in A. Mikhalkov-Konchalovsky's film "The First Teacher" (1965).
From 1965 to 1977, B. Beyshenaliev appeared in more than 30 films from the studios "Mosfilm," named after A. P. Dovzhenko, "Belarusfilm," "Uzbekfilm," "Moddonafilm," "Kazakhfilm," "Tajikfilm," "Kyrgyzfilm," "Kyrgyztelefilm," "Bnrrandov" (Czechoslovakia), and "Mafilm" (Hungary). Among them, the most significant roles of the actor include: Kayum ("White, White Storks" by A. Khamraev), Mirsharipov ("Red Sands" by A. Akbarhodzhaev and A. Khamraev), Tahir Murzin ("Horizons" by A. Mashanov), Azizov ("Bow to the Fire" by G. Okeenp), Usubaliev ("Without Fear" by A. Khamraev), Kasym ("Mother's Field" by G. Bazarov), Bolot ("Ak-Meyor" by M. Ubukeev), Akayev ("Smile on the Stone" by U. Ibragimov), Erkin ("The Eye of the Needle" by G. Bazarov). All these characters of B. Beyshenaliev are strong-willed, spiritually strong people devoted to high ideals.
Since 1978, he has been living and working in Moscow.
Awards — Certificate of Honor (1959) and Honorary Certificate (1969) from the Presidium of the Supreme Soviet of the Kyrgyz SSR.
Member of the USSR Union of Cinematographers since 1966.
WORKS ON THE ART OF THE ACTOR
Aksakov M. Bolot Beyshenaliev. Union of Cinematographers of the USSR, 1970.
Artyukhov O. Bolot Beyshenaliev.— "Komsomolets of Kyrgyzstan," November 18, 1969.
Artyukhov O. Bolot Beyshenaliev — film actor.— "Literary Kyrgyzstan," 1972, No. 5, pp. 88—94.
Artyukhov O. Bolot Beyshenaliev — film actor.— Collection "On the Wings of Cinema." F., "Kyrgyzstan," 1974, pp. 19—32.
Ashimov K. The Screen of Kyrgyzstan Tells. M., Bureau of Propaganda of Soviet Cinematic Art, 1976, p. 45.
Volgin A. Until We Meet in the Auditorium.— "Lenin's Path," May 13, 1971.
Gurevich L. When the Actor is Believed.— "Soviet Screen," 1972, No. 24, p. 12.
Kushnirov M. Waiting for the Storks.— "Art of Cinema," 1966, No. 8, pp. 8—12.
Lordkipanidze N. Through Other Eyes.— "Art of Cinema," 1965, No. 12, pp. 17—19.
Lyndina E. Coming of Age.— "Soviet Screen," 1970, No. 17, pp. 6—7.
Mirsky R. From the Practice of Soviet-Hungarian Cooperation.— "New Time," 1967, No. 8, pp. 20—21.
Mikhalkov-Konchalovsky A. Some Considerations on the Production of "The First Teacher."— "Art of Cinema," 1967, No. 1, pp. 36—44.
Furtichev V. In the Direction of a "Counterattack" (Bolot Beyshenaliev).— Collection "Cinema of Soviet Kyrgyzstan." M. "Art," 1979, pp. 302—312.
